Lady Gaga rocks Jozi

I have so much to tell you I don’t even know where to start. Lady Gaga came to South Africa last week and played her first show in Johannesburg on Friday 30 November, 2012. Let me just start by saying I was absolutely blown away. I wasn’t the biggest or the most passionate fan, but I was keen to see the spectacular that I’ve heard so much about – The Born This Way Ball.

Let me just tell you that the standing section is not for the faint hearted. If you’re short, small, young, or have any issues with people in your personal space, breathing on you, or resting their armpits on your shoulder, bare this all in mind when you rush for your spot. And rush we did. After arriving at Soccer City and grabbing the quickest beer of my life, we went to go and stand in the queue. This was at about 3.30, with the gates only being opened at 5pm. Off we went, through the first check point, to stand behind several hundred people who were already waiting at the gates. We then did the worst thing, which would have irritated me, and I felt terrible doing it, but we found a friend much nearer to the front and made our way through the heaving throng of irritated fans making comments like “no really, we weren’t here first, don’t you worry”, which, to be fair, is probably what I would have been saying had I not been dragged through the mass hand in hand with the more uber of the fans in our little group :|

From that point, as soon as the gates opened it was utter chaos. Hand in hand, we ran like mad things, sprinting from one check point to the next where were stopped by the fact that we had to get through a narrowing space, or scan our tickets at the gate. Once inside the actual stadium, no one would let us down onto the field to the standing area, re-directing us from one entry point to another, and back again. And I was running, let me tell you. The fear of potentially losing the people I was with to that crazy crowd was enough to keep my legs pumping and my chest open in spite of being sick, having no voice and having coughed at least one of lungs up in the past week.

Anyway, having finally arrived in the standing section, we found ourselves about 4 or 5 rows of people back from a ramp-type looking thing separating us general standers to the super uber fans who had been in the queue since god-knows-what time that morning, or the day before. Apparently 250 people were let into the “Monster Pit”, and those were the first 250 people in the queue, as far as I understand it. The rest of us, as I mentioned, ran for our spots. I never thought I’d run like that for a pozzie at a concert, let alone a  Lady Gaga concert, but let me tell you it was worth it. In spite of the mouth breathing, drugged up retards who seemed to be incapable of not invading my personal space.

For a bunch of people who were at a concert of a woman who basically preaches tolerance of everyone, in all shapes and forms, whatever their life choices or preferences may be, there was a hell of a lot of nastiness going on around us. A couple of girls just behind us almost got into fisticuffs with some pushing and shoving, followed by a few choice words out of one of them. The guy in front of me had a go at me for keeping my arm in front of me to protect my boobs, because it was digging into his back – yes that’s how close he was, A guy to our right full on shoved one of our friends out of his way and proceeded to stand with his sweaty armpit resting on my shoulder. The amount of times my toes got trodden on, and the amount of people who’s sweaty bodies rubbed up against me at one point or another, doesn’t bear reminiscing about.

And, in spite of all of that, this was by far the best concert I’ve been to. Sure it was expensive, but no more than Linkin Park golden Circle. And considering the show that we got out of it, the value for money was so much more with Gaga. The set alone was absolutely awesome, like a doll’s house that folded out in the form of a castle, let alone the 20 odd back up dancers, all the costume changes, additional props such as the ‘unicorn’ that she came out on, and the motorbike that she was practically a part of. The whole thing was a show, with a story behind it, narrated by a hologram on the right hand side of the stage. The choreography was pretty awesome – made me think how incredible it must be to be a back up dancer for someone of that stature, and all of the back up dancers also had several costume changes as well.

Anyway, enough of my waffling, check out the Edge of Glory – don’t worry about the picture, rather listen to the crowd taking over her voice.


Professor Elemental takes to the ring

With a ‘diss song’ called Fighting Trousers. With disses about Tweed jackets spat out in a ‘hot potato’ accent, by a scrawny, pale, white guy dancing around a boxing ring, this can’t be anything but entertaining. IMO.

Professor Elemental = Paul Alborough, more often known as Professor Elemental, is a steampunk and chap hop musical artist.

Thanks Rich

Lucy Spraggan X-Factor UK Audition

I want this song!

With over 8 million views on YouTube since the 25th of August, it’s clear to see that people like her.

Thanks Gabi


Here’s the official music video as well

Thanks Dale

Smoke & Jackal

Jared Followill has teamed up with Nick Brown – lead singer of Mona to create a 6-track EP to be released on the 16th of October.

Here is the first track – No Tell

“Coming together just worked,” says Jared. “I think it’s because we took such an easy approach to it, we didn’t bring any egos to it. We just talked about each other’s ideas, neither one of us got our feelings hurt. It just worked.”

Here’s the track listing on the EP
1. Fall Around
2. No Tell
3. You’re Lost
4. Road Side
5. OK OK
6. Save Face

I quite like it. What do you think?

O Fortuna funnies

So if you don’t know what O Fortuna is, don’t worry, you’ll recognise it when you hear it. But in the mean time, this is what Wikipedia has to say.

“O Fortuna” is a medieval Latin Goliardic poem written early in the thirteenth century. It is a complaint about fate and Fortuna, a goddess in Roman mythology and personification of luck. In 1935–36, O Fortuna was set to music by the German composer Carl Orff as a part of movement “Fortuna Imperatrix Mundi” of his cantata Carmina Burana, which it opens and closes. 
Orff’s setting of the poem has become immensely popular and has been performed by countless classical music ensembles and popular artists. It can be heard in numerous movies and television commercials and has become a staple in popular culture, setting the mood for dramatic or cataclysmic situations. “O Fortuna” topped a list of the most-played classical music of the past 75 years in the United Kingdom.

This, however, has little to do with all that. This little gem was brought to my attention by a good old FB friend. This is the misheard lyrics, animated version no less, of O Fortuna. Enjoy.

Lizzy Land loops Awolnation’s Sail

Wow – what a cover from Lizzy Land of an already amazing song.

Here’s Awolnation and their original

Here are a couple more covers she’s put up on her YouTube channel:

Adele – Someone Like You (I love this one)

Foster the People – Pumped Up Kicks

Thanks Woz.

It’s a Gotye Vs Carly Rae Jepson MASHUP!

The two songs we all love to hate the most – Carly Rae Jepson’s Call Me Maybe, with Gotye’s Somebody That I Used to Know

Carly Rae Jepson

Gotye ft Kimbra



I hate to say it but I think it’s super catchy. And I really like her voice.

This is Pomplamoose with their own interesting take entitled, Don’t Push Me: